I can communicate what I’m looking for and understand what my collaborators are trying to get at. I have a certain kind of a taste for what will make a good movie or a good play or theater. Is there a specific quality that makes a good producer? Producing is overseeing the process from the beginning all the way until it arrives at the theater or movie theater. Then it’s bringing a project to its conclusion: the marketing, the general package. You have to make sure that what they asked for and bargained for is what they’re getting. Then you bring on another partner: studios as financiers or investors in theater. Who is the best storyteller to direct it? Who is the best writer to write it? Who is the best actor to bring voice to the characters? The producer’s job is to make sure the vision is on course. It’s finding the story you want to tell, finding the way you want to tell it, and having taste to decide what will make a good film or play or television program then it’s about marrying that idea to the right creative team. What I produce comes in through a variety of different doors. Sometimes there’s a director whose work is compelling to me-the same for an actor. There are ideas that instantly say to me, This is a story I want to tell. In addition to producing “The Girl on the Train” and Ang Lee’s groundbreaking “Billy Lynn’s Long Halftime Walk,” he also has his name on “La La Land,” the Ryan Gosling– and Emma Stone–starring musical that has garnered serious awards buzz since it premiered at the Venice Film Festival, where it picked up a best actress win for Stone as well as a Golden Lion nomination for the film.
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